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・ Piano Sonata (Martinů)
・ Piano Sonata (Reubke)
・ Piano Sonata (Stravinsky)
・ Piano Sonata Hob. XIV/5
・ Piano Sonata Hob. XVI/15
・ Piano Sonata Hob. XVI/17
・ Piano Sonata Hob. XVI/18
・ Piano Sonata Hob. XVI/20
・ Piano Sonata Hob. XVI/33
・ Piano Sonata Hob. XVI/34
・ Piano Sonata Hob. XVI/38
・ Piano Sonata Hob. XVI/49
・ Piano Sonata Hob. XVI/50
・ Piano Sonata Hob. XVI/52
・ Piano Sonata Hob. XVI/9
Piano Sonata in A major, D 664 (Schubert)
・ Piano Sonata in A minor, D 537 (Schubert)
・ Piano Sonata in A minor, D 784 (Schubert)
・ Piano Sonata in A minor, D 845 (Schubert)
・ Piano Sonata in A-flat major, D 557 (Schubert)
・ Piano Sonata in B major, D 575 (Schubert)
・ Piano Sonata in B minor (Strauss)
・ Piano Sonata in B-flat major, K. 498a
・ Piano Sonata in C major
・ Piano Sonata in C major, D 279 (Schubert)
・ Piano Sonata in C major, D 613 (Schubert)
・ Piano Sonata in C major, D 840 (Schubert)
・ Piano Sonata in C-sharp minor (Tchaikovsky)
・ Piano Sonata in C-sharp minor, D 655 (Schubert)
・ Piano Sonata in D major, D 850 (Schubert)


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Piano Sonata in A major, D 664 (Schubert) : ウィキペディア英語版
Piano Sonata in A major, D 664 (Schubert)

The Piano Sonata in A major D. 664, Op. posth. 120 is a sonata for solo piano composed by Franz Schubert in the summer of 1819.
==Movements==
I. Allegro moderato
A major
II. Andante
D major
III. Allegro
A major
Well regarded among pianists, the "Little" A major sonata is so called to distinguish it from the hefty 1828 sonata in the same key. It is the shortest among Schubert's complete sonatas. The manuscript, completed in July 1819, was dedicated to Josephine von Koller of Steyr in Upper Austria, whom he considered to be "very pretty" and "a good pianist." The lyrical, buoyant, in spots typically poignant nature of this sonata fits the image of a young Schubert in love, living in a summery Austrian countryside, which he also considered to be "unimaginably lovely."
The A major sonata is straightforward, with a dulcet melodic opening. It was the first of Schubert's piano sonatas where the sonata form as perfected by his idol, Beethoven, does not seem wrestled with; rather, it is a "joyous breakthrough," a carefree triumph over strict rules of construction.
The original manuscript to this "little" sonata has been lost.

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